Comité Les Lalanne - Biographies

© Edouard Boubat

Biographies

Shared Creation

Since 1956, Les Lalanne have developed two parallel bodies of work characterised by surrealist associations, humour and poetry.

Les Lalanne have always shared the belief that sculpture, and art more broadly, can have a functional dimension. Their entire career has been driven by this desire to give sculpture, traditionally regarded as sacred, a familiar dimension with a potential use.

 

Comité Les Lalanne - Claude et Yves Saint Laurent
Comité Les Lalanne - Sur les lamas
Comité Les Lalanne - scene atelier

Photo: Paul Kasmin © Estate of Paul Kasmin,
Courtesy of Kasmin, New-York 

Comité Les Lalanne - A shared destiny

© Édouard Boubat

A shared destiny

After their first joint exhibition at Galerie J in Paris in 1964, Claude and François-Xavier Lalanne were represented together around the world.

Thanks to Jean Tinguely and Niki de Saint Phalle, they met Alexandre Iolas, who exhibited their work for several years in his various galleries around the world. This marked their entry into some of the most prestigious international collections. Les Lalanne subsequently exhibited regularly with three galleries : Ben Brown, Paul Kasmin and Galerie Mitterrand.

Comité Les Lalanne - A unique approach

Photo: Paul Kasmin © Estate of Paul Kasmin,
Courtesy of Kasmin, New-York 

A unique approach

Nature, and more specifically the animal world, provides them with an infinite array of universal forms, which they combine with great humour (the Toad Armchair, the Donkey Desk, the Rhinoceros Desk, the Onion Watch, etc.).

Their work, which defies classification, occupies a special place in art history. Highly prized by collectors, institutions and the general public alike, it can now be found in some of the world's most prestigious public and private collections.

Comité Les Lalanne - International reputation

Photo: Paul Kasmin © Estate of Paul Kasmin,
Courtesy of Kasmin, New-York 

International reputation

Their works have been featured in major 
exhibitions around the world.

Notably at the Whitechapel in London in 1976, the Château de Chenonceau in 1991, the Château de Bagatelle in 1998, the Musée des Arts Décoratifs in Paris in 2010, the Château de Versailles and the Clark Art Institute in the United States in 2021.